Reso 2020-3123 - Laserfiche WebLink

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The City views its public art program as multi -faceted. It has been laying the groundwork for this Program over the last three years and the concept of a wide variety of acceptable creative expression has also evolved. The City envisions its Public Art Program to not just be about sculpture and traditional art installations but as an artistic expression of a creative, innovative community which could include public gardens, pop-up performances to any number of projects that could create civic dialogue. As endless as there are ways for community to express itself, this is as open as the city will be to utilize public (and to the extent of their willingness to participate, private) spaces- from parks, local streets and pedestrian walkways, to other public infrastructure with opportunities for lighting, sound, architecture and engineering as well as community art festivals and performances, story -telling and other experiential and interactive art forms. The City's program will always give a respectful nod to its history while looking forward to new developing concepts in art. Since before Sunny Isles Beach actually became a city, the area has been the home to some of the most unique and architecture in South Florida. Harvey Baker Graves (1855- 1936) made his first visit to South Florida in 1905 and came back in 1920 to purchase 2,841 acres of land of which 1,912 acres that were known as Sunny Isles- in the northern end of what would become Miami Beach. While he would not live through the boom bust cycle of the 20's and 30's, the area started its first real development as a tourist destination in the 1950s and 60's. This saw the advent of such hotels as the Dunes, the Golden Strand Thunder Bird, the Tahiti, the Castaways, the Ocean Palm and the Sahara, with their assorted life size sculptures of Bedouins and camels, horse and biggies and other notable MiMo style "kitsch", housing oversized signs that when lit, turned night into day in these areas. These were designed by such architects of renown as Carlos Schoeppl, Melvin Grossman and Norman Giller, z